Category: WORDS

The Parish of Dunkeld lyrics.

Lyrics written out in the diary.

‘Oh what a parish, a terrible parish
Oh what a parish is that of Dunkeld
They hang’d their minister
Drooned their presenter
Burned down the steeple
And fuddled the bell.
The steeple was doon, but the kirk was still standing,
They biget a lumb where the bell used to hang
A still pot they got
And they brewed Highland whiskey
On Sunday’s they drank it and ranted and sang.

Oh had you but seen how graceful they looked
To see the crammed pews so socially joined
MacDonald the piper stood up in the pulpit
He made the pipes skirl out the music divine.
Wi whiskey and beer they would curse ‘n they’d swear
they’d argue and fight like you’d dare nae tell
About Geordie and Charlie they bothered feu early
Wi whiskey they’re worse than the devil himsel’

When the hearts leering spirits had mounted their garrets
To a ball on the green they all did ajourn
The maids were coarse kilted
They skipped and they lilted
When tired they shook hands and then hame did return.

If the kirks all oor Scotland
Held like social meetings
Nay warning you’d need from a far tinkling bell,
For true love and friendship will draw you together
Far better than roaring the horrors of hell!

Oh what a parish…….’

Here is a rather wonderful link to Silly Wizard performing this song quite a wee while ago.


‘The Queen of all Argyll’ lyrics. 1997.

(2018 – Lyrics copied out into diary. I remember vividly the first time I ever heard this old Scottish song. A dear friend broke into song in the pub one night, I had had no idea, at that time, that she had such a beautiful singing voice! The whole pub fell silent.
I got the lyrics and tried to learn it, but soon found that it is an incredibly testing song to sing, using a big range. I can do a passable version, but nothing like her! Tragically that dear friend is no longer with us, taken by pancreatic cancer, unexpectedly and swiftly, leaving both a loving partner, children and young grand children behind her….she had all to live for. You are missed M. x)

The Queen of all Argyll

Gentlemen it is my duty
To inform you of one beauty,
Tho I’d ask of you a favor not to seek her for a while.
I own she is a creature of character and feature
No words can paint the picture of the Queen of all Argyll.

And if you could have seen her
Boys if you had just been there
The swan was in her movements
And the morning in her smile.
All the roses of the garden bow and beg her pardon
For none can match the beauty of the queen of all Argyll.

On the evening that I mentioned
I passed with light intention
Through a part of our dear country
Known for beauty and for style
In a place of noble thinkers
Of scholars and great drinkers
But above them all in splendor
Shone the queen of all Argyll.


So my lads I needs must leave you.
My intention’s not to grieve you,
Nor indeed would I deceive you,
I’ll see you in a while.
I must find some way to go to her.
Court her and to claim her.
I fear my heart’s in danger from the queen of all Argyll.



Outside is all noise. Luibs caravan, Kilmartin, Scotland. 27th July 1997.

“Outside is all noise.
The dripping roar of rain on leaves and the top of the tin -top caravan. The flick and buzz of flies as they hit the windows panes luring, bright light.
It’s past midnight and my head hurts from premonition and the lack of ability to define.

“In this life so much magik weaving…….?
Oh muse, where have you been?”

REAL TIME……are we arriving there?

Losing the Ego……what happens if ALL people begin to evolve in this direction?

The return of Merlin to Avalon…..(recognition of our true heros/leaders that loose the ego)
Shapeshifting. Animist. Fertility.
(the Felindyrch shape-shifter that murdered the seven sons of Merlin……?)
Merlin vs Pan?
These synchronicities why are they so important and how do they fit together!?”

Restless confusion. 1997.

(2017 – Surprised by how contemporary this piece of writing feels for me now.)

‘Welcome to the restless confusion of coming into a new era.
Listen to the jangled tones of realization.
Can we evolve fast enough in this ancient new tangent?
What we have been saying for years appears to be changing the world, but not as I’d envisioned exactly.
Madness invades the integral core of my pumping brain.
Power so huge I cannot get my arms around it. Cannot grasp it.
Breathe again.
Are there other worlds outside this idyll now that are worth exploring again?
I have reached this age when I am turning and facing myself.
And I do not see anything there at all.
And when I think of who I really am, I cannot really face it, accept it or become.
Become into being

(Desperately needing purpose still.)’

June 4th 1997.

‘In the garden:-

dig and sow 4 more rows of French beans
mow back lawn
straw/mulch for strawberries (pine needles? Dunans? bags?)
weeding, watering, weediing

watering,watering, watering

cut forest paths back
build bender benches/bed
dig fire pit

sow chamomile and borage….central patch?

buy carrots/beetroot/winter/spring cabbage/swedes

What I should. 1997.

Dense, sensitive, slow hum,
Hum humming of life.
Flutter of butterfly wings
and chirrup of buzzing things.
The trickle chuckle river and the
warm, ticklish air.
I should throw myself down in the long, itchy grass.
I should walk, feel free and strong….
But I just will lay here, feeling good
for not doing.
What I should.

(If I cannot focus my energy into something soon I shall……..?)

Butterfly connections. 1997.

Butterfly connections.
Seagulls call and whirl.
Like black spots in the back of my eye.
Hieroglyphic spirals,
Picked out against the blinding sky.
Swallow tail swift,
forked slender arrow.
Dove coo, ancient, wood-wise.
A car brakes through and then away.
Bleating lambs, skimble and moan for their mothers.
African music, low and happy,
Accompanies the scene.
Breezes, breezy, blowing lightly.
Yellow poppies bow and bend.
So slow and sweet.


Frustrated Creation. 1997.

” An old friend of mine arrived back in the country. He’s laying low, reviewing life and all that. He reminded me about writing.
“Have you been writing?” he asked.
That was all he needed to say.
If only I could feel that writing was worth it……after living with the tribe, the purity of ‘life without education’, without the conscious ‘head space’ of putting pen to paper, I find it difficult to arrange myself into that mode. Yet my thinking processes are so clear, so radical, the daily revelations and inspirations crowd my head.
This frustrated creation.
Automatically when I write I seem to take on a pompous overview, it’s almost as if I have a written accent…..that is proving impossible to shake.
Whenever I seize a pen the ‘I’ syndrome takes over – gone are the loose, fluid imaginings, replaced by stoic observations and “What will I write?”
Most importantly, I do not, generally, like what I produce, largely because it does not bear any resemblance to what I know I could, if only I could loose these tensions in my thinking.
I revert back to automatic writing regularly in an attempt to free myself – but this is often vague to the other extreme!

There is a deep knowledge inside of me, that tells me what I could be worth, but fear I will never achieve, is dampening the desire to even begin fulfilling these deep, driving dreams.’

Horse. The whole process. 3 Luibs Cottages, Kilmartin, Scotland. 1997

(2017 – Apologies to my wonderful followers for the huge gap in updating this archive. To say I have had a lot going on would be an understatement! Under going a bit of a personal evolution! Some of you may have found my other blog? Rolling Om?
I often very slightly tweak my poems, as written in my notebooks, to pull them together to share here. But this time I thought it would be interesting to share the process, exactly as it is written, especially as this one was never really resolved. I often write poems, almost perfectly, straight out and then get lost in trying to better the original. This is one of those.)


Morning sun cast crystal shadow
Frosty stars fallen down from the night
The crisp crunch and stamp, stamp
Steamy purr, horse- lip whistle, damp
in the dry air.

Side on to the cresting sun
Shadowing the glinting grass
Haloed proud and tossing mane
Whose prize is he, proud beast, to train?

But he does not run as the jeep
All roar and oily snarl appears
He swings his head, pricks up his ears
And watches as the folks get out, come near,
He does not run, but insists that they
Should catch him first if they want to play!


Old Logan leaned upon the gate
Appraised his fine aquaintance
A tension electric sparked in the morning air,
And the proud beasts nostrils closed and flared.
Old Logan’s son stood by and smiled
as Thomas climbed the gate and
stumbled eager up the rise…
He throws his arms around the beast
Who leans into his young beating heart
And snorts his greeting into his palm.
Pleased to see his fine young friend…
Until Thomas wants to bring him down into the shadow
Down from his sunny, shining hill.
Thomas persisted, he resisted,
Showing all his will.


It’s an old, old game
To go out and tame
Clip clop, the same as what
the father’s father’s father did.
Father to son, to son, to son, to hold the rein,
Like blood in vein,
In sun and rain.
It’s an old, old game.
When lifestyles change, the purpose gone,
The relationship still lingers on
A love of horse.

Taking the reins.
Old wisdoms passed on
Pride in knowledge of the beast.
Equine power.
Horse-beats. Hoove prints.
Mystic and mundane.
Whispers. Horse power.
Gallop. Canter. Trot.
Feeling the true strength of friendship
Taming the wild, Seeking its calm.
Father to son.
A rightful pride is learned.


Wet breath and dusty mane.
Stamp and crunch.
Soft mutterings of velvet lips.
Coarse hair and thick matt coat.
Huge hooves. Thick horney pads.
The sky etched figure of power and natural freedom
The surge of muscle and sinew
Such grace and urgency.
The cantering image of power and natural freedom.
The shiver shake shudder and impatient toss,
Daring and challenging.
Ride me. Ride me. Teach me. Use me.
The promising image of power and natural freedom.
Teach me and I will teach you.
The patience and karma
Of true power and natural freedom.


There are always ways to talk to a horse.
Say them with your soul.
Manouver with suggestion
Draw then into the game
Otherwose they’ll never let you tame
Their mighty spirit.
There are always ways to talk to a horse.
Their teaching is sublime.
Reach in and find your ancient calm
And your respect is mine.



‘IMPOSSIBLE MISSIONARIES’ The band that almost was…..notes. 3 Luibs Cottages, Kilmartin, Scotland. 1997.

All original tracks, invented in our living room. Keyboards, bass and flute. Lots of ‘button pushing’ and bored bass and flute player ‘cushion butting’! Pages of ‘notes’?!? I can now think of easier ways!

JAH FISH (Amoeba reggae styleee!) 32 beat sections

B flat minor – C sharp, F sharp. sliding semi-tones key changes.

Everything in….fade into it.
Flute solo/freeform stuff.
Sustained section. Guitar chord + legato flute
‘Peer Gynt’ section
Legato solo – wandering.
Twinki bits.
Key Change E flat minor.
Key change back doen. WAH solo.
Musical Preist! into
Key Change

JAMES BROWNIZE. (sychro-riff stylee)

A B flat D-B / E F sharp G A /D B A G-E

twang – beginning.
synchro-riff ….. faster and faster.

B flat > E


B C sharp D E flat E      (Bass: E E flat D C sharp D E flat E)


D G B flat C  (x8) // D G B flat C // (last time) C sharp D C sharp C (x4)
D-F-G ‘ A G F G ‘ F D C D // G B flat G E flat C D E flat E ‘ F A F D B flat C C sharp D E flat G E flat C ‘  A C  F  E flat D // B falt G D ‘ B flat  G C sharp ‘ B flat G C // G B flat G ‘ G B flat F sharp ‘ G B flat F

JAG (Flamenco/Morrocan!)

B minor : B-B b-b B-B b-b B-B b-b C // B-B b-b B-B b-b B-B b-b A
change  G B ‘  G  B flat A   D.C ://


A-A ‘ B-B ‘ A-A ‘ A ‘ E-F into  B etc. E-F

LITTLE CASCADE (Eas a Chaibeal )

F minor